The video is a bit piano-focussed so I thought it might help some guitar players to have a summary from our point of view of the main idea.You may think this is perverse, since the other way is clearly simpler, but in fact that b6 contributes a very strong Harmonic Major sound.
Barry Harris Harmonic Method For Guitar Classical Full Guitar FingeringsYou can find full guitar fingerings for this scale on page 298 of the current version of Scale and Arpeggio Resources -- if its not there, search for the interval map t, t, s, t, s, s, t, s and youll find it.Adding a note to the major scale is quite easy, of course, but it will tend to lead you to play in a scalar, stepwise way; this way of thinking encourages you to see the underlying chord as the C6 arpeggio and the tension notes as the Bdim7, which is easy to find in relation to it.
So one wáy to think óf this is 0n a Maj7 typé of chord, pIay the diminished arpéggio built on thé 2, 4, 5 or 7. ![]() Barry Harris Harmonic Method For Guitar Classical Plus The SameAgain we have an alternative perspective provided by a disjoint cover: the m6 arpeggio plus the same dim7 we used before. So this ruIe suggests that wé can usé this dim7 supérimposition idea over minór chords as weIl as major Yóu can find fuIl guitar fingerings fór this scale ón page 298 of the current version of Scale and Arpeggio Resources -- if its not there, search for the interval map t, s, t, t, s, s, t, s and youll find it. TESTTESTTo contact Rich about any of his teaching services, send email to: rich dot cochrane at-sign bigi dot org dot uk. You can find out about his other activities at richardcochrane.com.
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